UPCOMING

Bronzed And Silvered
a solo show by Cudelice Brazelton
January/February 2021

 

PRESS

Zuzanna Czebatul at Sans Titre (2016), by Samantha Ozer in ArtForum (20/11/2020)
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‘Hell Hath No Fury Like a Dick Scorned’ by Zuzanna Czebatul at Sans Titre (2016), Paris, in tzvetnik (14/11/2020)
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Zuzanna Czebatul at Sans titre (2016), in Art Viewer (12/11/2020)
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Zuzanna Czebatul at Sans Titre (2016) / Paris, in Daily Lazy (02/11/2020)
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Zuzanna Czebatul – HELL HATH NO FURY LIKE A DICK SCORNED, in KubaParis (02/11/2020)
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In Real Life There Is No Reward, Review of « Coeurs Simples », a solo show by Agnes Scherer, in Arts Of The Working Class (26/10/2020)
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‘We’ve Changed Everything This Year’: Dealers in Paris Get Creative to Present Lively New Art During FIAC Week (Without FIAC), in artnet news (26/10/2020)
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L’art sous le signe de la résistance à Paris, in Libération (24/10/2020)
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Comment Paris Internationale réinvente la foire d’art à l’ère de la pandémie, in NuméroArt (23/10/2020)
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Paris Internationale réussit sa mue, in Le Quotidien de l’Art (22/10/2020)
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Flash Art for Paris Internationale, in Flash Art (22/10/2020)
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Paris Internationale : 5 jeunes pousses à suivre sans attendre, in BeauArts (21/10/2020)
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9 galeries à visiter à Paris pour remplacer la FIAC, in numéro (19/10(2020)
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Que faire à Paris pour la semaine de l’art contemporain ?, in connaisance des arts (18/10/2020)
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Sélection galerie: Agnes Scherer à la galerie Sans Titre (2016), in Le Monde (02/10/2020)
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Agnes Scherer at Sans Titre (2016), in Contemporary Art Daily (29/09/2020)
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Coeurs Simples – Agnes Scherer, in O Fluxo (23/09/2020)
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Agnes Scherer: Coeurs simples, in Art Listing (16/09/2020)
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Coeurs Simples a solo show by Agnes Scherer, in XIBT Mag (16/09/2020)
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Agnes Scherer at Sans titre (2016), in ArtViewer (16/09/2020)
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Coeurs Simples at Sans titre (2016), in Daily Lazy (12/09/2020)
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Agnes Scherer COEURS SIMPLES, in Kuba Paris (12/09/2020)
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Marseille prolonge la belle saison en accueillant le Printemps de l’Art Contemporain, in Trax Magazine, by Soizic Pineau (08/09/2020)
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Hamish Pearch HEAD ABOVE WATER, in Kuba Paris (04/09/2020)
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Snack Art: Martin Belou – Sans titre (2016) (02/06/2020)
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The Must-See Exhibitions During Paris Gallery Weekend 2020, in FRIEZE, by Oriane Durand (03/07/2020)
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Joël Riff curieux présente 2020 semaine 26 (25/06/2020)
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Martin Belou at Sans titre (2016), in ArtViewer (18/06/2020)
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Martin Belou FOYER, in Point Contemporain (14/06/2020)
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Martin Belou FOYER, in Kuba Paris (06/06/2020)
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10 expositions en galerie à courir visiter depuis leur réouverture, in Numéro, by Matthieu Jacquet (19/05/2020)
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Letter from Paris – Mara Hoberman on the reopening of the Parisian art world, in Artforum (12/05/2020)
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Not cancelled lance son édition parisienne, in Quotidien de l’Art, by Alison Moss (27/04/2020)
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Not Cancelled: Paris edition, in Flash Art (26/04/2020)
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16 galeries parisiennes s’associent pour une exposition en ligne, in AD (29/04/2020)
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Not Cancelled Paris, première « digital art week », in The Steidz (26/04/2020)
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L’ART SANS LES MURS — LES INITIATIVES EN LIGNE DU PRINTEMPS 2020, in Slash (23/04/2020)
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Robert Brambora, La Ballade des Sardines, in YYYYMMDD
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Kuss oder Auster? Robert Brambora über ambivalente Silhouetten, in Gallerytalk, by Teresa Hantke (22/04/20)
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ROBERT BRAMBORA, LA BALLADE DES SARDINES – DIE LIEBE DER SARDINEN, in Point Contemporain
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Robert Brambora at Sans titre (2016), in Artviewer (03/2020)
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Robert Brambora at Sans titre (2016), in Tzvetnik (03/2020)
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En image: Robert Brambora chez Sans titre (2016), in The Steidz (24/03/2020)
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Joel Riff curieux présente 2020 semaine 13
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A Shelter in the Folds of the Infinite, a Group Show at Sans titre (2016), Paris, in Tzvetnik (01/2020)
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A shelter in the folds of the infinite at Sans titre (2016), in Art Viewer (29/01/2020)
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Les 5 expositions à voir en galerie ce mois-ci, in AD Magazine, by Oscar Duboÿ (27/01/2020)
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Tanja Nis-Hansen, in Daily Lazy (12/2019)
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Tanja Nis-Hansen, in Tzvetnik (12/2019)
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Paris Roundup 2019, in Flash Art (03/12/2019)
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Tanja Nis-Hansen, in Art Viewer (03/12/2019)
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Tanja Nis-Hansen – The Benign Tumour, in Kuba Paris
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D’un duplex à la cour d’un théâtre, itinéraire d’une galerie d’art, in Numéro (02/12/2019)
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Le Greco, un art contemporain, in Les Inrockuptibles, by Ingrid Luquet-Gad (06/11/2019) – features Tanja Nis-Hansen works
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Tanja Nis-Hansens’ ¨The Benign Tumour¨ exhibition at Sans titre (2016), in Purple Diary
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Paloma Proudfoot at Sans titre (2016), in Daily Lazy (03/11/19)
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Paris Internationale : innover dans une ville en changement, in Le Quotidien de l’art, by Pedro Morais (23/10/2019)
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Les expositions en galeries à ne pas manquer cet automne, in AD, by Oscar Duboÿ (22/10/2019)
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A Paris internationale, l’émergence à l’honneur, in The Art Newspaper Daily, by Bernard Marcelis (17/10/2019)
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Paloma Proudfoot at Sans titre (2016), in Tzvetnik (19/10/2019)
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Paloma Proudfoot at Sans titre (2016), in ArtViewer (10/10/2019)
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5 expos gratuites à ne pas manquer en octobre, in Beaux-Arts, by Julie Ackermann (03/10/2019)
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Paloma Proudfoot, in Revue de la Céramique et du Verre, by Joel Riff (19/09/2019)

Highlights der Art Berlin, in Gallery talk, by Teresa Hantke (13/09/2019)
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Hangar Games, in Süddeutsche Zeitung, by Kito Nedo (13/09/2019)
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Expo: Art-O-Rama 2019 ou quand la scène marseillaise réaffirme son dynamisme, in Les Inrocks, by Ingrid Luquet-Gad (06/09/2019)
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Basile Ghosn – A place in the Sun à l’entrepôt Gérald Moreau – Marseille, in En revenant de l’expo, by Jean Luc Cougy (27/08/2019)
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La rentrée de l’art contemporain se fait à Marseille, in The Steidz, by La Rédaction (23/08/2019)
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La Première’, a Group Show at Sans titre (2016), Paris, in Tzvetnik (01/07/2019)
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Les cinq expos à ne pas rater en juin, in Les inrockuptibles, by Ingrid Luquet-Gad (25/06/2019)
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La Première @ Sans titre (2016), in KubaParis (15/06/2019)
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La Première at Sans titre (2016), in Artviewer (10/06/2019)
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Les rendez-vous à ne pas manquer cette semaine, in AD, by Oscar Duboÿ (27/05/2019)
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Les 5 expos à ne pas rater en avril, in Les inrockuptibles, by Ingrid Luquet-Gad (13/04/2019)
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‘The Swamp’ by Real Madrid at Sans titre (2016), in Kuba Paris (10/04/2019)
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‘The Swamp’ by Real Madrid at Sans titre (2016), in Tzvetnik (10/04/2019)
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Real Madrid at Sans titre (2016), in Artviewer (29/03/2019)
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Real Madrid, Galerie Sans titre, Goût de marécage, in Le Quotidien de l’Art, n°1689, p.8, by Julie Ackermann (26/03/2019)
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Les rendez-vous à ne pas manquer cette semaine, in AD, by Oscar Duboÿ (25/03/2019)
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Léopoldine at Sans titre (2016), in Artviewer (31/12/2018)
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Les rendez-vous à ne pas manquer cette semaine, in AD, by Oscar Duboÿ, (17/12/2018)
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Léopoldine – ceramic groupshow, in Kuba Paris (06/12/2018)
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Léopoldine at Sans Titre/Paris, in Daily Lazy (12/04/2018)
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Atmosphère carnivore et décadente chez les jeunes artistes de l’exposition Léopoldine, in Le Figaro, by Nikita Dmitriev (12/04/2018)
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“Léopoldine” exhibition opening at Sans titre (2016), Paris, in Purple (12/03/2018)
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Special feature: independent Brussels 2018, in Art Viewer (11/13/2018)
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Les 10 choses à voir pendant la FIAC, in AD Magazine, by Oscar Duboy (15/10/2018)
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Art-O-Rama etc., in Zérodeux, by Cédric Aurelle (06/10/2018)
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Sans titre (2016) to date., in Garamonde Magazine, by Reeme Idris (09/2018)
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Art-o-Rama By the Sea – the International Art Fair in the South of France Settles Into a New Home, in Make It Last (17/09/2018)
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Que faire à Marseille cette semaine, in AD Magazine (31/08/2018)
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Art-O-Rama : Marseille lance la saison, in Le Quotidien de l’Art, by Pedro Morais (29/08/2018)
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Review: ART-O-RAMA – Artworks seen in Marseille, ‘By the Sea’, in Reflektor M, by Maria Ines Plaza Lazo (09/09/2018)
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The Real Star of Art-O-Rama, in Kuba Paris, by Chloe Stead (04/2018)
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This photographer takes intimate portraits of a lovers’ embrace, in i-D, by Tich Weinstock (08/06//2018)
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Chambre 10 – Sans titre (2016), in Tzvetnik (06/2018)
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6 installations d’art hors du commun à découvrir à Saint-Germain-des-Près, in Numéro (07/06/2018)
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Chambre 10 @ Hôtel La Louisiane x Sans Titre 2016, in Kozzarte (19/06/2018)
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Chambre 10 at Hôtel la Louisiane, in Art Viewer (14/06//2018)
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A visit to “Chambre 10” at Hotel la Louisiane, in Make it Last (09/06/2018)
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Les rendez-vous à ne pas manquer cette semaine, in AD Magazine, by Oscar Duboy (04/06/2018)
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Sans titre (2016) presents “Chambre 10”, in Kuba Paris
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Sans titre (2016) à l’hôtel La Louisiane, in Manifesto.XXI, by Ida Simon (01/06/2018)
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Condo: an international space-sharing program for art galleries, in BmoreArt, by Michael Anthony Farley (09/05/2018)
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Around town: Condo Mexico City, in Frieze, by Jessica Berlanga Taylor (30/04/2017)
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¿qué es condo mexico city? 10 exhibi¬ciones que tienes que ver este fin de semana, in I-D Vice (04/2018)
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Les rendez-vous à ne pas manquer cette semaine, in AD Magazine, by Oscar Duboy (26/03/2018)
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FIAC 2017: les temps forts de la semaine de l’art contemporain à Paris, in The Wandering Mind, by Delphine Lopez
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The curator moving art shows around Paris Abandoned spaces, in AnOther
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Sans titre (2016), vol.4: Le Laboratoire at Sans titre (2016), in Art Viewer (17/09/17)
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Retour sur ART-O-RAMA, in Hashtag Art, by Margaux Barthélemy (31/08/2017)
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Air Biennale: la jeune création contemporaine détourne un parking, in Numéro, by Léa Zetlaoui (19/05/2017)
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Nike s’engage pour l’art contemporain, L’Officiel Suisse, by Yamina Benaï (19/05/2017)
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Air Biennale : an art project supported by Nike, in Crash France, by Sarah Konté (29/05/2017)
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L’érotisme est-il un art ?, in L’Officiel France, by Marc Beyney-Sonier (28/04/2017)
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In Follow Art With Us, (25/04/2017)
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Sans Titre (2016), l’art comme vous ne l’avez jamais vu, in Raje (24/04/2017)
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4 expos et concerts à voir et à faire cette semaine, in i-D, by Malou Briand (17/04/2017)
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Sans titre 2016, Vol.3 Nothing to hide a group show about the female body sex and eroticism, Paris, in Purple, by Lia Rochas-Pàris (18/04/2017)
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Marie Madec, Sans titre 2016, in Le café matinal , by Lia Rochas-Pàris (19/04/2017)
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The young curator challenging the way we view contemporary art. How ? By simply brin-ging it home, in i-D, by TishWeinstock (17/01/2017)
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Sans titre: A New Home for Paris’s Contemporary Art Scene, in Departures, by Adam Robb (21/11/2016)
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“Sans Titre Vol.2: Curiosité” group exhibition curated by Marie Madec, in Purple, by Inès Manai (02/11/2016)
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Avant la Fiac, in Hashtag Art, by Margaux Barthélémy (17/10/2016)
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Marie Madec, in Based Istanbul, by Tabitha Rarp (11/05/2016)
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Expo: “Sans Titre (2016)”, le projet ambitieux de Marie Madec, in Grazia, by Léa Chauvel Lévy (22/04/2016)
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“Sans Titre (2016)”: le meilleur de la jeune création contemporaine s’expose en appartement, in Numéro, by Thibaut Wychowanok (20/04/2016)
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Sans Titre (2016), in Hashtag Art, by Margaux Barthélémy (13/04/2016)
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Sans Titre (2016), la nouvelle garde arty exposée à Paris, in Vogue Paris, by Marie Périer (05/04/2016)
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“Sans Titre (2016)” a group show exhibition curated by Marie Madec, Paris, in Purple, (05/04/2016)
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EXHIBITIONS

Should we get lunch, I want to burn this place down, groupshow with Robert Brambora, at Kunstverein Harburger Bahnhof, Hamburg, DE  (26/09/20-04/10/20)
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TBD, group show with Tanja Nis-Hansen and Catbox Contemporary, at Atlanta Contemporary, Atlanta, US (upcoming)

Mushrooms: The art, design and future of fungi, group show with Hamish Pearch, at Somerset House, London, UK (31/01/20-26/04/20)
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Octopus, group show with Robert Brambora, at Ginny on Frederick, London, England (25/01/20-08/03/20)
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Night, solo by Hamish Pearch, at Soft Opening, London, UK (08/11/19-08/12/19)
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KIKI BUH BYE, duo show with Tanja Nis-Hansen, at SORT for Independent Space Index, Vienna, Austria (10/10/19-01/11/19)
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Greetings from dystopia, groupshow with Basile Ghosn, espace Saint Ravy, La Panacée, Montpellier, France (07/09/19-22/09/19)
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All lines are busy, groupshow with Robert Brambora, at Tobias Naerhing, Leipzig, Germany (03/08/19-30/08/19)
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August, groupshow with Robert Brambora, at Haverkampf Gallery, Berlin, Germany (18/08/19-07/09/19)
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Rhum Perrier Menthe Citron, groupshow with Basile Ghosn, cur. by Julien Creuzet et Cédric Aurelle, at Friche Belle de Mai, Marseille (01/06/19-29/09/19)
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DE HIMLENDE ØJNE (the rolling eyes), solo show by Tanja Nis-Hansen , Udstillingsstedet Sydhavn Station, Copenhagen, Denmark (08/19)
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Parfum d’épines, groupshow with Robert Brambora, organised VO Curations and Phillips, Paris (23/05/19-26/07/19)
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BAND WAGON NO 1, Group event with Tanja Nis-Hansen , Pogo-Bar, KW, Berlin, Germany (27/06/19)
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Fruits Suspended and Swaying, group show with Tanja Nis-Hansen, AEDT, Düsseldorf, Germany (June 2019)
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Peter Mertes Stipendium 2018, solo show with Robert Brambora at Bonner Kunstverein, Bonn, Germany (June 2019)
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« Shaped figure », groupshow with Robert Brambora at MMIII Kunstverein Mönchengladbach e.V., Mönchengladbach, Germany (05/05/19-16/06/19)
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« Leben in Tieren », groupshow with Robert Brambora at Reisebürogalerie, Gallery Nagel/Draxel, Cologne, Germany (02/02/19-30/03/19)
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Space Opera, Group show with Tanja Nis-Hansen, Crum Heaven, Stockholm, Sweden (01/03/19-23/03/19)
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NOMINEES, Hamburger Arbeitsstipendium, show of the nominated artists with Tanja Nis-Hansen , Kunsthaus Hamburg, Germany (11/12 2018 – 06/01 2019)
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Degree show, solo by Hamish Pearch Royal Academy, London, UK (2019)

RAPIDBB, solo by Basile Ghosn, cur. Won Jin Choi, at MN_03 speculative wasteland, Marseilles, France (December 18)

« Prati Bagnati Del Monte Anologo », groupshow with Robert Brambora at Neuer Essener Kunstverein, Essen, Germany (30/11/18-03/02/19)
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SANGUINE HUSK, group show with Tanja Nis-Hansen, Rumpelstiltskin, New York, US (02/11/18-21/12/18)
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Ana Prata and Hamish Pearch, duo-show, at Kupfer, London, UK (06/10/18-27/10/18)
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Go, group show with Hamish Pearch, at Soft Opening, London, UK (08/18)
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New Relics, group show with Hamish Pearch, at Thames-side Studios, London, UK (02/06/18-24/06/18)
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Night Realms, group show with Hamish Pearch, at Kristian Day, Edinburgh, UK (29/03/18-29/04/18)
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Premiums, group show with Hamish Pearch, at Royal Academy of Arts, London, UK (28/03/18-29/04/18)
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